Wednesday, December 28, 2005
So long, and thanks for all the fish
This blog is essentially dead.
Anyone looking for me can find my new home at:
http://www.livejournal.com/users/hackenbacker/
Anyone looking for me can find my new home at:
http://www.livejournal.com/users/hackenbacker/
Saturday, December 10, 2005
Quiet day
Well, it's been a quiet day - had time off work, so went to see Narnia. Good, not quite great - not sure why... maybe it's just that I've been pretty exhausted all day so didn't quite get into it, but maybe also a tendency for it to play 'safe' - just a bit too easy to see the influences in the way some parts were executed. And some of the digital imagery was a little ropey in places.
Other than that, catching up on TV and DVDs, and listening to some soundtrack clips on iTunes - King Kong is sounding really nice, and there was an interesting interview with Andy Serkis on The Culture Show last night (you saw the background to how he created his Kong characterisation). All I can say is bring it on next weekend!
Other than that, catching up on TV and DVDs, and listening to some soundtrack clips on iTunes - King Kong is sounding really nice, and there was an interesting interview with Andy Serkis on The Culture Show last night (you saw the background to how he created his Kong characterisation). All I can say is bring it on next weekend!
Thursday, December 08, 2005
Turn out the lights
House facades dressed up like Blackpool Illuminations - don't you just love them? On my trek home from the station, I have to pass a few residences of dubious taste and decency. All marked out by the exterior lighting. Some of those are of the Xmas variety (:ahem:).
And it's all so horrible. A particular favourite has to be the Santa that is abseiling out of a window on a flashing neon rope. The flashing 'Merry Christmas' signs are such a nice touch as well - I'm sure their neighbours are going to have a wonderful Christmas with 300 megawatts of flashing lights glaring through their bedroom curtains at all hours.
I'm all for decorations - something tasteful, understated. If I wanted to live on Las Vegas' strip, I would. But I don't. So what makes people think these are such a great idea?
And it's all so horrible. A particular favourite has to be the Santa that is abseiling out of a window on a flashing neon rope. The flashing 'Merry Christmas' signs are such a nice touch as well - I'm sure their neighbours are going to have a wonderful Christmas with 300 megawatts of flashing lights glaring through their bedroom curtains at all hours.
I'm all for decorations - something tasteful, understated. If I wanted to live on Las Vegas' strip, I would. But I don't. So what makes people think these are such a great idea?
Wednesday, December 07, 2005
A Christmas Carol
OK, time to start using this for something. And what better way to start, than with a trip to the theatre tonight to see A Christmas Carol. Starring Patrick Stewart (aka Captain Jean-Luc Picard). Not that mentioning Stewart, Picard, or even Star Trek would get more people to look at this entry of course.
This was a revival of the Olivier-winning one man production of A Christmas Carol that ran on Broadway and at London's Old Vic some 12 years ago. Which means a mass Patrick Stewart fest from start to finish, as he narrates the story, and dips into each of the characters (all nicely realised, with clear sense of identities). It might be a little strange to get your head round, but as a one man show it works really well - the narration adds so much to the story that is (easily) missed in an ensemble performance.
Although it's easier to get your head round, than a certain American fellow in the audience (I'm assuming he was American - sounded like it). A guy that mere minutes into the play - just after the nephew has wished Scrooge a Merry Christmas - muttered something mostly incomprehensible, and walked out. Although just as he was leaving, did say much more audibly "rehashed bullshit". It's Dickens. It's A Christmas Carol. Was he even at the right play? OK, so you might not like the one man staging. You may even take issue with Patrick's performance. But it says 'A Christmas Carol' on the posters and tickets - either that was a ridiculous critique, or an expensive and ineffectual protest.
For anyone that will be attending the forthcoming performances - especially those not familiar with this theatre - I have some top tips:
1) Autograph hunting is particularly profitable if you realise that the Albery backs on to the Wyndham - whilst standing at the stage door waiting for Patrick, managed to catch Richard Griffiths, Ken Stott and John Hurt coming out of Wyndham's.
2) Shoot any Americans you see in the foyer (well, you can never be too careful).
This was a revival of the Olivier-winning one man production of A Christmas Carol that ran on Broadway and at London's Old Vic some 12 years ago. Which means a mass Patrick Stewart fest from start to finish, as he narrates the story, and dips into each of the characters (all nicely realised, with clear sense of identities). It might be a little strange to get your head round, but as a one man show it works really well - the narration adds so much to the story that is (easily) missed in an ensemble performance.
Although it's easier to get your head round, than a certain American fellow in the audience (I'm assuming he was American - sounded like it). A guy that mere minutes into the play - just after the nephew has wished Scrooge a Merry Christmas - muttered something mostly incomprehensible, and walked out. Although just as he was leaving, did say much more audibly "rehashed bullshit". It's Dickens. It's A Christmas Carol. Was he even at the right play? OK, so you might not like the one man staging. You may even take issue with Patrick's performance. But it says 'A Christmas Carol' on the posters and tickets - either that was a ridiculous critique, or an expensive and ineffectual protest.
For anyone that will be attending the forthcoming performances - especially those not familiar with this theatre - I have some top tips:
1) Autograph hunting is particularly profitable if you realise that the Albery backs on to the Wyndham - whilst standing at the stage door waiting for Patrick, managed to catch Richard Griffiths, Ken Stott and John Hurt coming out of Wyndham's.
2) Shoot any Americans you see in the foyer (well, you can never be too careful).